RESEARCH

Multi-form visualization: a method to compose acousmatic music

In Embodied Gestures, ed. Enrique Tomás, Thomas Gorbach, Hilda Tellioğlu, Martin Kaltenbrunner. TU Wien Academic Press, 2022, pp. 49–62. DOI 10.34727/2022/isbn.978-3-85448-047-1_6

With contributions by Cathy van Eck, Louise Devenish, Haize Lizarazu, Koray Tahiroğlu, Rolf Inge Godøy, Pavlos Antoniadis, Virginie Viel, Thomas Gorbach, Hilda Tellioğlu, Martin Kaltenbrunner, Annette Vande Gorne, Theodoros Lotis, Jaime Reis and Enrique Tomás.

Multiform visualisation: an approach to acousmatic composition

De Montfort University, Leicester (UK) — Music, Technology and Innovation Research Centre. Supervised by John Young and Pete Batchelor.

A composition method built on the links between visual, aural and kinaesthetic perception, and on the way they shape both the writing and the listening of acousmatic music.

Awakenings

The Stones can speak — Obs, Modern Electroacoustics, Moscow (RU) · ObsAUDIOR5

With works by Mattia Nuovo, Emma Margetson, Gráinne Mulvey, Andrea Giomi & Shari Delorian, Vitaly Maklakov and Paul Ramage.

Contemporanea Acusmatica I

An Ocean on the Moon — Taukay Edizioni Musicali, Udine (IT)

With works by Xavier Madore, Marco Molteni, Demian Rudel Rey, Paolo Pastorino, Loïse Bulot, Rocío Cano Valiño and John Young.

Pearl

Obs, Modern Electroacoustics, Moscow (RU)

Acousmatic pieces composed between 2014 and 2016, mastered in stereo.

#Singularities01

Nyx — Singularities, Paris (FR)

With works by Nicolas Marty, Johann Philippe, Christian Eloy, Matthieu Gillin, Philippe Neau, Gérard Pape and Benjamin Aït-Ali.